Sitemap - 2022 - Film Daze
FILM PEAKS: “This is What You Do”: The Transformative Power of Love in ‘Shoplifters’
Holiday Flash Sale: Last Call, All Aboard the Cinema Train!
‘Broker’ Review: Bittersweet Realism and Imperfect Lives
Beyond the Periphery of Diasporic Film: Watching 'Mogul Mowgli' as a Pakistani
Give the Gift of Film Daze for the Holidays
ICYMI: The Lifelike Misogyny of Scream’s Stu Macher
Big Day for annoying people! (Me)
ICYMI 'All the Beauty and the Bloodshed’ Review: The Connective Human Urge for Justice
Everything Everywhere All At Once
Are we doing it? Hell yea, we're doing it!
Film Daze Cinema Club #2 (December, 2022)
ICYMI: We have extended our Holiday Flash Sale!
We have extended our Holiday Flash Sale!
ICYMI: How Baz Luhrmann Wields Music to Reckon with Death
ICYMI: ‘Princess Mononoke’: A Timeless Tale of Colonization and Indigenous Survival
ICYMI: ‘X’ and the Horror of Pornography
ICYMI: Commitment to Historical Accuracy Helps Turn 'The Northman' Into a Masterpiece
ICYMI: ‘Wendell & Wild' Review: A Visually Vibrant Fairytale Fantasy
ICYMI: The Fabelmans’ Review: A Cinematic Exploration of the Achingly Personal
In Praise of Gene Kelly’s Noir Turn
ICYMI: ‘Stranger Things’ Season 1 Retrospective: 1980s Nostalgia That Grows Less Sweet With Time
ICYMI: ‘Hellraiser’, Trans Women, and the Politics of Disgust
Film Daze Cinema Club #1 (November, 2022)
The Uninhibited Joy of Pearl’s Insanity
‘Aftersun’ Review: A Mesmerizing Memory of Father and Daughter
Hanky Codes and Bathroom Floors: Queer Subtext in ‘Stranger Things’
Film Daze Paid Subscription Limited Time Offer
Best Films of 2022 (So Far) List and Mid-Year Subscription Offer
All Them Witches: How ‘Ginger Snaps’ Teaches Us How to Heal our Bodies
Waters, Knoxville, and the Beauty of Queer Filth
Oxygen Mask People: Rom Coms and the Special Realm of Soulmate-dom
The Limited Portrayals of Female Sexuality and Sexualization in 'Minx' and 'Pam & Tommy'
‘Lost Highway’ at 25: Chapter One of David Lynch’s LA Saga
‘We’re All Going to the World’s Fair’ Review: Fearsome Loneliness Through a Teen Girl’s Webcam
Inside Norway’s Exciting New Disaster Cinema
Representing Oslovian Women, starring ‘The Worst Person in the World’
On our cultural mis-reading of 'One Hour Photo'
‘After Yang’ Review: Kogonada’s Futuristic Family Drama is a Meditation on Memory and Technology
Grief and Cosmic Insignificance in ‘A Ghost Story’
‘Jackass Forever’ Review: A Stunt-Filled Spectacle of Chaos and Unbridled Joy
Culinary Temptations: Italian Cuisine in Luca Guadagnino’s ‘Desire Trilogy’
The Heartbreaking Realism of 1944's Wartime Musical 'Cover Girl'
How ‘Nightmare Alley’ Elucidates the History of Addiction in America
On Three Campion Films Tied by Touch
To our paid subscribers, here is a gift
Celebrating our 4 Year Anniversary
A unifying theory of Matt Dillon, the quintessential homme fatale
With ‘Encanto’, Hollywood Continues its Disneyfication of Latin Cultures
On ‘The King of Comedy’ and the Unsettling Nature of an Unsexy De Niro