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Cinema Club #18 (May, 2024)
Prepare for trouble! / And make it double!
Apr 16
•
veronica phillips
and
Alisha Mughal
5
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Cinema Club #18 (May, 2024)
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Michael Mohan on Crafting the Haunting Beauty of 'Immaculate'
The director sits down with Isabella Vega to discuss making the Sydney Sweeney-helmed horror film
Apr 2
•
Film Daze
3
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Michael Mohan on Crafting the Haunting Beauty of 'Immaculate'
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March 2024
'La Chimera' Review: A Dreamlike Fable of Grief and its Destruction
Alice Rohrwacher’s continued exploration of magical realism is a visual feast full of potential, but something is lacking in the film’s expression of…
Mar 29
4
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'La Chimera' Review: A Dreamlike Fable of Grief and its Destruction
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Dispatches from the Big Bear: 'I Saw the TV Glow'
Elif's Second Dispatch from the 2024 Berlinale Festival
Mar 28
•
elif
5
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Dispatches from the Big Bear: 'I Saw the TV Glow'
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‘Immaculate’: A Seraphic Act of Autonomy
Sydney Sweeney's latest film doubles as an exploration of autonomy for both its protagonist and its star.
Mar 25
•
Film Daze
2
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‘Immaculate’: A Seraphic Act of Autonomy
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The Hopeless Romantics of Aki Kaurismäki's Finland
Aki Kaurismäki’s movies remind us that, while time has moved on, people and their conditions have not changed as much as we would’ve hoped.
Mar 22
•
Film Daze
3
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The Hopeless Romantics of Aki Kaurismäki's Finland
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Dispatches From The Big Bear - Reviews: 'Love Lies Bleeding' & 'Crossing'
Berlinale 2024 Dispatch: A Self-Righteous Festival Brimming With Potential
Mar 14
•
elif
2
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Dispatches From The Big Bear - Reviews: 'Love Lies Bleeding' & 'Crossing'
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A Unified Theory of Rita Hayworth’s Femmes: On Her Performance in 'Gilda'
Introducing a new series of essays on the legendary Rita Hayworth.
Mar 12
•
Alisha Mughal
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A Unified Theory of Rita Hayworth’s Femmes: On Her Performance in 'Gilda'
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Cinema Club #17 (March, 2024)
I wish I knew how to quit you
Mar 5
•
veronica phillips
and
Alisha Mughal
4
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Cinema Club #17 (March, 2024)
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February 2024
Living up to Promises
We are so back! (Discount included)
Feb 15
•
Film Daze
3
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Living up to Promises
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She Likes Her Nice Things: “Squaw Men”, Trophy Wives, and The Deconstruction of Scorsese’s Marital Contracts
At one point in Killers of the Flower Moon, Ernest Burkhart (Leonardo Dicaprio) pretends to moan about his wife Mollie’s (Lily Gladstone) affinity for…
Feb 13
•
veronica phillips
3
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She Likes Her Nice Things: “Squaw Men”, Trophy Wives, and The Deconstruction of Scorsese’s Marital Contracts
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Reality, obliteration, and (un)certain futures in Miyazaki’s ‘The Boy and the Heron’
Hayao Miyazaki’s latest film explores reality itself as a constructive and destructive force on our bodies, lives, and psyches.
Feb 9
•
Film Daze
2
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Reality, obliteration, and (un)certain futures in Miyazaki’s ‘The Boy and the Heron’
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