"Not everything is pretty in pink"
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Female filmmakers today are rejecting cinema’s traditionally male-centric representation of virginity for a more sex-positive, feminist one.
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Sudden old age is Sophie’s catalyst for a new life, and while each stage of life is different, it is the living that is the important part.
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Kiki's story of self-discovery evocatively expresses the process of a young artist confronting tradition and fears of rejection to make a bold statement…
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Veronica Phillips explores tactility in film through three works in Jane Campion's oeuvre.
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All it takes is a leap of faith.
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What if we told you that Matt Dillon’s beauty is more than just a pretty face, and that his sexiness works to allow him to be the quintessential homme…
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There is a great deal to learn from the Blaxploitation Era of Hollywood.
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Veronica Phillips analyzes the peculiar charisma — and sometimes lack thereof — of frequent Scorsese collaborator Robert De Niro.
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The lack of consistent roots in one location characterizes the turbulent uncertainties of your 20s.
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'Cover Girl' is a wartime musical tragedy that offers unexpected emotional intensity and exploration of inner lives
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Many critical interpretations of the 2002 film view protagonist Sy Parrish as a "creep," but Alisha Mughal argues that this says more about our judgment…