In the 2016 film 'Hidden Figures,' Taraji P. Henson employs a dynamic change in volume to force the audience to simultaneously discover their own guilt and rage.
This is one of the best scenes I've seen in recent years and I think about it often. Henson is fantastic as you have noted here and the shocked reactions from the men in the room perfectly capture their astonishment at her rage. They truly have no idea what she deals with.
This is one of the best scenes I've seen in recent years and I think about it often. Henson is fantastic as you have noted here and the shocked reactions from the men in the room perfectly capture their astonishment at her rage. They truly have no idea what she deals with.